Talk "image burning" Angela Lopez
The next day 21 held a lecture entitled "The image in flames "by Angela Lee. Space will be in the stables / Rio Molinos Murcia at 19 h.
Research "The image in flames," revisits the movie story of Uruguay from the 20s to late 70s, the bonds of this production to other artistic disciplines in modernity and as such "blank pages" affected in contemporary thought. Once this reconstruction, physical and philosophical, the need for ontologize the present through the image, an activity that aims at the heart of this project.
In the early 70s, a fire extinguished, almost in its entirety, the collection of SODRE Cinéart films, which was established in 1943 highlighted by his leadership in Latin America. Thanks to the emotional political gesture of the poet Fernando Perez who donates his collection of primitive (500 titles) and the support of this foreign film libraries and becomes space is refunded at the National Archives SODRE Image (1985).
The military dictatorship and the governments that happen do not act against the spread of tangible documents and creative power that was promoted during the festival was cystic, giving the impression that the Uruguayan film yet unborn.
To be aware of the concept of this language was decided to create a space that enhances the analog audio-visual production, to take the contemplation matérica film quality and the sense of revealing the image as a postulate. A laboratory that teaches how families file holders keep their movies.
This experience operates today as a cooperative, is in contact with other similar experiences in the world as well as artists (Bill Brand, Katy Martin, Lynne Sachs, Mark Street, Barbara Hammer, Peter Kubelka, Emanuel Lefranc, Virginia Villaplana, Christopher May, and others) who visit the lab scale film Montevideo FAC to support the project and exchange experiences.
One of these experiences are being implemented in Murcia with the momentum of the collective imagination and photographer Tresorg Salvi Vivancos. So far we have organized 4 workshops led by Guillermo Zabaleta FAC Montevideo, who have had the support of Imagine Murcia San Javier and
LAB 3 - Under the title 'Cinema against the trend: Latin America and Spain - Dialogues, confluences, divergence ... in recent 80 years' the CCCB SEACEX and we have a group of elements (congress, roaming and DVD program) in order to investigate and publicize the avant-garde film / experimental in Latin America and Spain. The conference to be held from 28 to 31 October, will be attended by filmmakers and scholars from both sides of the Atlantic: Narcisa Hirsch, Ximena Cuevas, Jorge La Ferla, Arlindo Machado, Jesse Lerner, Tomàs Pladevall, Alfonso del Amo Angela Lopez, and Juan José Mendy. The conference will consist of several lectures, panel discussions, a masterclass on mounting by Nelson Rodriguez (Cuba) and a 'Workshop introduction to experimental animation' given by Lourdes Villagomez (Mexico).
The traveling program consists of six thematic sessions with a total of 60 titles to be screened for the first time during the conference. Similar to "From Ecstasy to fit 'this project will have their catalog on DVD, which will focus exclusively on the Latin American production and will be edited by Cameo.
countercurrent Film: Latin America and Spain - Dialogues, confluences, divergence ... in the last 80 years
28 to October 31
Thursday October 28 11:30 to 13:30
Masterclass: On the assembly by Nelson Rodriguez (Cuba)
17:00 to 18:45 Opening by Jorge La Ferla (Argentina) + Screening Session 1: Revolution and counter
- Revolution (Jorge Sanjines, 1963. Bolivia, 10 ', b / w, sound, 16mm.)
- youth, rebellion, revolution (Enrique Pineda Barnet 1969. Cuba, 31 ', color, sound, 35mm.)
- BiBiCi Story (Carles Durán, 1969. Spain, 7'50 ", color and b / w, sound, 35mm.)
- Now! (Santiago Álvarez, 1965. Cuba, 5 ', b / w, sound, 35mm.)
- Burn (Alberto Fischerman, 1962. Argentina, 9'45 ", b / w, sound, 35mm.)
- Holding people ( The vampires of poverty) (Luís Carlos Ospina and Mayolo, 1978. Colombia, 28'35 ", b / w and color, sound, 16mm.)
7:15 p.m. to 9:00 p.m. Mesa introductory presentation with Ruben Guzman (Argentina), Angelica Cuevas (Mexico), Marta Lucia Velez (Colombia) and Pinent Antoni (Spain) Projection
22:00 Session 2: Time Capsules
- Fuego en Castilla (José Val del Omar, 1958 - 1959. Spain, 17 ', b / w and color, sound, 35mm.)
- Magueyes ( Rubén Gámez, 1962. Mexico, 9 ', b / w, sound, 35mm.)
- The End (Sergio Garcia, 1970. Mexico, 8', color, sound, Super 8.)
- Photomatons (Eugeni Bonet, 1976 . Spain 3 ', b / w, sound, Super 8.)
- Camal (Miguel Alvear, 2001. Ecuador, 13'15 ", b / w and color, sound, 16mm.)
- Street Symphony (Sarah Minter, 2006. Mexico , 5'40'', color, sound, video.)
- Hunger (Hunger) (Carlos Vergara, 1972. Brazil, 9'30 ", color, silent, Super 8.)
- My co-ra-zon ( Pola Weiss, 1986. Mexico, 10 ', color, sound (dialogue), video.)
- Ilha das Flores (Jorge Furtado, 1989. Brazil, 13', color, sound, 35mm.)
Friday October 29 10:30 to 12:00 Lecture: FAC - Uruguay by Angela López (Uruguay)
12:30 to 14:00 Presentation: Association AANMA by Maria Belen Moncayo (Ecuador)
5:00 p.m. to 6:45 p.m. Roundtable: Restoration - Preservation with Pladevall Tomás (Spain), Rosa Cardona (Spain) and Juan José Mendy (Uruguay / Spain). Moderator: Alfonso del Amo (Spain)
19:15 to 21:00 Meeting: Ximena Cuevas la Mexicana (Mexico) and Jesse Lerner (USA / Mexico) Projection
22:00 Session 3: Interference
- Traum (dream) ( Horacio Coppola and Walter Auerbach, 1933. Argentina v Germany, 2 ', b / w, silent, 16 mm.)
- Arrow and a compass (David Joseph Kohon, 1950. Argentina, 10'58'' b / n, sound, 16mm.)
- The pleasures of the flesh (Horacio Valleregio, 1977. Argentina, 12 ', color, sound, Super 8.)
- Juquilita (Elena Pardo, 2004. Mexico, 2'20 " , color, sound, 16mm.)
- Offering (Claudio Caldini, 1978. Argentina, 3 ', color, sound, Super 8.)
- Nude descending (Silvia Gruner, 1986. Mexico, 1'30 ", b / w color, silent, Super 8.)
- POETRY EVENT (Gabriel Borba, 1954-75. Brazil, 1'22'', color, sound, Super 8.)
- Opus (José Ángel Toirac, 2005. Cuba, 4 ' 40 ", b / w, sound, video.)
- Danse noire (Frederic Amat 2005-2006. Spain, 3'33 ", color, sound, video).
- Xeroperformance (Bruscky Paulo, 1980. Brazil, 40" b / w tack, sound, super 8.)
- The spectator Room Clock / The Light / Speaking (Santos, 1967. Spain, 6'40 ", b / w, sound, 16mm).
- Horizonte Horizonte sin (Sandra DeBerduccy, 2007. Bolivia, 4'50'', color, sound, video. )
- Nature (Jose Castillo, 2001. Venezuela, 1'40'', color, sound, 35mm).
- Painting 63 (Ton Sirera, 1962-1963. Spain, 5'30 ", color, sound, 16mm. )
- Impresiones in high atmosphere (José Antonio Sistiaga, 1988-1989. Spain, 7 ', color, sound, 70mm.)
Saturday October 30 12:00 Panel discussion: Collections - Files Fernando Martín Peña (Argentina), María Belén Moncayo ( Ecuador) and Irela Nunez (Peru). Moderator: Angela Lopez (Uruguay)
17:00 to 18:45 Panel Discussion: Panopticon Jorge La Ferla (Argentina), Arlindo Machado (Brazil) and Jesse Lerner (USA / Mexico). Moderator: Marta Lucia Velez (Colombia) 19:15 to 21:00
Meeting: A Tribute to Narcisa Hirsch led by Ruben Guzman (Argentina)
Projection 22:00 Session 4: Signals
life - or patio (Glauber Rocha, 1958. Brazil, 12'43 ", color, sound, 35mm.)
- The second first matrix (Alfredo Gurrola, 1972. Mexico, 15 ', color, sound, Super 8. )
- The city on the beach (Ferruccio Musitelli, 1961. Uruguay, 12 ', sound, color, 16mm.)
- Documentary (Alexander Apostle, 2005. Venezuela, 2', color, sound, video.)
- This is no dividing wall (Fernando De Szyszlo, 1952. Peru, 10 ', b / w, sound, 35mm.)
- The Aleph (Narcisa Hirsch, 2005. Argentina, 1', color, sound, super 8 and 16mm.)
- Habana Solo (Juan Carlos Alom, 2000. Cuba, 14'30 " b / n, sound, 16 mm.)
- Ice Cream (Antoni Padrós, 1970. Spain, 8'10 ", b / w, sound, 16 mm.)
- Miserere (Antoni Miralda and Benet Rossell, 1979. Spain , 12 ', b / w, sound, 16mm.)
Sunday October 31 18:30
Projection Session 5: Exercises in Style
- Fisheye (Gabriel Enrique Vargas Vázquez, 2007. Colombia, 15'24 " b / n, audio, video.)
- Elegba (Guillermo Zabaleta, 2008. Uruguay, 3 ', b / w, sound, 16mm.)
- Self-portrait (Ricardo Nicolayevsky, 1982-1985. Mexico, 6'30 "color and b / n, super 8 and 16mm.)
- 0778 (Marcellvs L., 2004. Brazil 9'27 ", color, sound, video.)
- Land of Shadow (Alberto Borea, 2002. Peru, 12'42, b / w, silent, video.)
- Passacaglia and Fugue (Laura Abel and Jorge Honik, 1976. Argentina, 16 ', color, sound, Super 8.)
- Bleeding Heart (Ximena Cuevas, 1993. Mexico, 3', color, sound (dialogue), video.)
- sensationelle Farce! (Laida Lertxundi, 2004. Spain, USA, 3'10 ", b / w, sound, 16 mm.)
- Cook (Daniela Cugliandolo. 1999. Argentina, 3 ', b / w, sound, Super 8.)
- FIRT 119 (Raymond Beluga Studio, 2002. Argentina, 10 '24 ", b / w, sound, 16 mm and Super 8.) Projection
20:00 Session 6: Medium and massage
- Dogs Gallery (Diego Lama, 2005. Peru, 2'30 ", color, sound, video.)
- Travelling (Lluis Rivera, 1972. Spain 10'25 ", b / w, sound, 16 mm.)
- Frank Stein (Iván Zulueta, 1972. Spain, 3 ', b / w, silent, 16mm.)
- The wonders of the wild / ants (Lourdes Villagomez, 2000. Mexico, 4'38 ", color, sound, video.)
- Limits (1 st person) (Elijah Siminiani León, 2009. Spain, 7'45", color, sound, video.)
- Super 8 (David Domingo, 1999. Spain 7’25”, color, sonora, súper 8.)
- Chapucerías (Enrique Colina, 1987. Cuba, 11’, color y b/n, sonora, 35 mm.)
- Alice in Hollywoodland (Jesús Pérez-Miranda, 2006. España, 7’, b/n y color, sonora, vídeo.)
- Fear/Miedo (Claudia Aravena, 2008. Chile, 14’, color, sonora, video.)
- Minnesota 1943 (Toni Serra, 1995. España, 7’13”, b/n y color, sonora, vídeo.)
- O som, ou tratado de harmonia (Arthur Omar, 1984. Brasil, 17’, color, sonora, 35mm.)
Equipo:
Comisario CCCB:
Antoni Pinent
Comisarios asesores:
Angélica Cuevas Portilla (Cuba, Mexico and Peru)
Ruben Guzman (Argentina, Uruguay and Paraguay)
Marta Lucia Velez (Bolivia, Brazil, Chile, Colombia, Cuba, Ecuador, Paraguay, Peru and Venezuela)
Coordination:
Lara Navarro (Congress )
Holy Nova (film series)
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