Bollywood Babes Showing Their Boobs

Agustín Sabella in doubt, Private

My work is about information. Where it comes from and where you stop the noise, as easily manipulated as generating new tab meaning, its function as Panopticon, ambiguity, chaos and order, the role of perception, etc. Working
images and media who already have a load that already exist, and sometimes I look and I find that often belong to the collective unconscious.
The change of context and placed in a new multiple new meanings are generated, this way of working has its background in postproduction Nicolas Bourriaud, Methods of Misrepresentation and The Society of the Spectacle by Guy Debord and various thinkers.



After accumulating 3896 miles and 2 months of experiencing the outcome Cali The order is (no doubt). Of course not going to let me easily overcome by my new city.


I was not surprised the people who live on the street, or makes away their livelihood. If I was struck by contrast, may serve as a metaphor fluo green jackets of the vendors of cellular minutes on the street, offering instant communication secured by a chain.
contrast is seen between the movement and the light of day and night between the 6th and 9th Street, between the double standards of the Santeria and the sin offering, including the relaxed lifestyle and paranoia. AS

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artist Bill Brand - experimental film workshop in the fac



New Films, Old Films.
Artists use technology in new vintage and transform obsolete.
The workshop is an exploration of experimental film using 16 mm and video films. Each participant will aprtir cinematic exercise their own personal files.
Souvenirs and memories, especially personal recollections, archival footage and home movies, will be crucial when investigating ways of incorporating experimental filmmaking techniques are also used for the preservation of archival footage. Includes the use of the optical printer (new acquisition of factors, generously donated by Bill Brand and colleagues New York).
To watch films of Bill Brand as an example.

Thursday, 26, 27 and 28 November 1916 to 20 hours

Death Annivsersary Invitation

Image in flames - Angela Lopez Stables Area, Murcia Spain


Talk "image burning" Angela Lopez
The next day 21 held a lecture entitled "The image in flames "by Angela Lee. Space will be in the stables / Rio Molinos Murcia at 19 h.
Research "The image in flames," revisits the movie story of Uruguay from the 20s to late 70s, the bonds of this production to other artistic disciplines in modernity and as such "blank pages" affected in contemporary thought. Once this reconstruction, physical and philosophical, the need for ontologize the present through the image, an activity that aims at the heart of this project.
In the early 70s, a fire extinguished, almost in its entirety, the collection of SODRE Cinéart films, which was established in 1943 highlighted by his leadership in Latin America. Thanks to the emotional political gesture of the poet Fernando Perez who donates his collection of primitive (500 titles) and the support of this foreign film libraries and becomes space is refunded at the National Archives SODRE Image (1985).
The military dictatorship and the governments that happen do not act against the spread of tangible documents and creative power that was promoted during the festival was cystic, giving the impression that the Uruguayan film yet unborn.
To be aware of the concept of this language was decided to create a space that enhances the analog audio-visual production, to take the contemplation matérica film quality and the sense of revealing the image as a postulate. A laboratory that teaches how families file holders keep their movies.
This experience operates today as a cooperative, is in contact with other similar experiences in the world as well as artists (Bill Brand, Katy Martin, Lynne Sachs, Mark Street, Barbara Hammer, Peter Kubelka, Emanuel Lefranc, Virginia Villaplana, Christopher May, and others) who visit the lab scale film Montevideo FAC to support the project and exchange experiences.
One of these experiences are being implemented in Murcia with the momentum of the collective imagination and photographer Tresorg Salvi Vivancos. So far we have organized 4 workshops led by Guillermo Zabaleta FAC Montevideo, who have had the support of Imagine Murcia San Javier and
LAB 3 - Under the title 'Cinema against the trend: Latin America and Spain - Dialogues, confluences, divergence ... in recent 80 years' the CCCB SEACEX and we have a group of elements (congress, roaming and DVD program) in order to investigate and publicize the avant-garde film / experimental in Latin America and Spain. The conference to be held from 28 to 31 October, will be attended by filmmakers and scholars from both sides of the Atlantic: Narcisa Hirsch, Ximena Cuevas, Jorge La Ferla, Arlindo Machado, Jesse Lerner, Tomàs Pladevall, Alfonso del Amo Angela Lopez, and Juan José Mendy. The conference will consist of several lectures, panel discussions, a masterclass on mounting by Nelson Rodriguez (Cuba) and a 'Workshop introduction to experimental animation' given by Lourdes Villagomez (Mexico).

The traveling program consists of six thematic sessions with a total of 60 titles to be screened for the first time during the conference. Similar to "From Ecstasy to fit 'this project will have their catalog on DVD, which will focus exclusively on the Latin American production and will be edited by Cameo.


countercurrent Film: Latin America and Spain - Dialogues, confluences, divergence ... in the last 80 years
28 to October 31
Thursday October 28 11:30 to 13:30
Masterclass: On the assembly by Nelson Rodriguez (Cuba)
17:00 to 18:45 Opening by Jorge La Ferla (Argentina) + Screening Session 1: Revolution and counter
- Revolution (Jorge Sanjines, 1963. Bolivia, 10 ', b / w, sound, 16mm.)
- youth, rebellion, revolution (Enrique Pineda Barnet 1969. Cuba, 31 ', color, sound, 35mm.)
- BiBiCi Story (Carles Durán, 1969. Spain, 7'50 ", color and b / w, sound, 35mm.)
- Now! (Santiago Álvarez, 1965. Cuba, 5 ', b / w, sound, 35mm.)
- Burn (Alberto Fischerman, 1962. Argentina, 9'45 ", b / w, sound, 35mm.)
- Holding people ( The vampires of poverty) (Luís Carlos Ospina and Mayolo, 1978. Colombia, 28'35 ", b / w and color, sound, 16mm.)

7:15 p.m. to 9:00 p.m. Mesa introductory presentation with Ruben Guzman (Argentina), Angelica Cuevas (Mexico), Marta Lucia Velez (Colombia) and Pinent Antoni (Spain) Projection
22:00 Session 2: Time Capsules
- Fuego en Castilla (José Val del Omar, 1958 - 1959. Spain, 17 ', b / w and color, sound, 35mm.)
- Magueyes ( Rubén Gámez, 1962. Mexico, 9 ', b / w, sound, 35mm.)
- The End (Sergio Garcia, 1970. Mexico, 8', color, sound, Super 8.)
- Photomatons (Eugeni Bonet, 1976 . Spain 3 ', b / w, sound, Super 8.)
- Camal (Miguel Alvear, 2001. Ecuador, 13'15 ", b / w and color, sound, 16mm.)
- Street Symphony (Sarah Minter, 2006. Mexico , 5'40'', color, sound, video.)
- Hunger (Hunger) (Carlos Vergara, 1972. Brazil, 9'30 ", color, silent, Super 8.)
- My co-ra-zon ( Pola Weiss, 1986. Mexico, 10 ', color, sound (dialogue), video.)
- Ilha das Flores (Jorge Furtado, 1989. Brazil, 13', color, sound, 35mm.)


Friday October 29 10:30 to 12:00 Lecture: FAC - Uruguay by Angela López (Uruguay)
12:30 to 14:00 Presentation: Association AANMA by Maria Belen Moncayo (Ecuador)
5:00 p.m. to 6:45 p.m. Roundtable: Restoration - Preservation with Pladevall Tomás (Spain), Rosa Cardona (Spain) and Juan José Mendy (Uruguay / Spain). Moderator: Alfonso del Amo (Spain)
19:15 to 21:00 Meeting: Ximena Cuevas la Mexicana (Mexico) and Jesse Lerner (USA / Mexico) Projection
22:00 Session 3: Interference
- Traum (dream) ( Horacio Coppola and Walter Auerbach, 1933. Argentina v Germany, 2 ', b / w, silent, 16 mm.)
- Arrow and a compass (David Joseph Kohon, 1950. Argentina, 10'58'' b / n, sound, 16mm.)
- The pleasures of the flesh (Horacio Valleregio, 1977. Argentina, 12 ', color, sound, Super 8.)
- Juquilita (Elena Pardo, 2004. Mexico, 2'20 " , color, sound, 16mm.)
- Offering (Claudio Caldini, 1978. Argentina, 3 ', color, sound, Super 8.)
- Nude descending (Silvia Gruner, 1986. Mexico, 1'30 ", b / w color, silent, Super 8.)
- POETRY EVENT (Gabriel Borba, 1954-75. Brazil, 1'22'', color, sound, Super 8.)
- Opus (José Ángel Toirac, 2005. Cuba, 4 ' 40 ", b / w, sound, video.)
- Danse noire (Frederic Amat 2005-2006. Spain, 3'33 ", color, sound, video).
- Xeroperformance (Bruscky Paulo, 1980. Brazil, 40" b / w tack, sound, super 8.)
- The spectator Room Clock / The Light / Speaking (Santos, 1967. Spain, 6'40 ", b / w, sound, 16mm).
- Horizonte Horizonte sin (Sandra DeBerduccy, 2007. Bolivia, 4'50'', color, sound, video. )
- Nature (Jose Castillo, 2001. Venezuela, 1'40'', color, sound, 35mm).
- Painting 63 (Ton Sirera, 1962-1963. Spain, 5'30 ", color, sound, 16mm. )
- Impresiones in high atmosphere (José Antonio Sistiaga, 1988-1989. Spain, 7 ', color, sound, 70mm.)


Saturday October 30 12:00 Panel discussion: Collections - Files Fernando Martín Peña (Argentina), María Belén Moncayo ( Ecuador) and Irela Nunez (Peru). Moderator: Angela Lopez (Uruguay)
17:00 to 18:45 Panel Discussion: Panopticon Jorge La Ferla (Argentina), Arlindo Machado (Brazil) and Jesse Lerner (USA / Mexico). Moderator: Marta Lucia Velez (Colombia) 19:15 to 21:00
Meeting: A Tribute to Narcisa Hirsch led by Ruben Guzman (Argentina)
Projection 22:00 Session 4: Signals
life - or patio (Glauber Rocha, 1958. Brazil, 12'43 ", color, sound, 35mm.)
- The second first matrix (Alfredo Gurrola, 1972. Mexico, 15 ', color, sound, Super 8. )
- The city on the beach (Ferruccio Musitelli, 1961. Uruguay, 12 ', sound, color, 16mm.)
- Documentary (Alexander Apostle, 2005. Venezuela, 2', color, sound, video.)
- This is no dividing wall (Fernando De Szyszlo, 1952. Peru, 10 ', b / w, sound, 35mm.)
- The Aleph (Narcisa Hirsch, 2005. Argentina, 1', color, sound, super 8 and 16mm.)
- Habana Solo (Juan Carlos Alom, 2000. Cuba, 14'30 " b / n, sound, 16 mm.)
- Ice Cream (Antoni Padrós, 1970. Spain, 8'10 ", b / w, sound, 16 mm.)
- Miserere (Antoni Miralda and Benet Rossell, 1979. Spain , 12 ', b / w, sound, 16mm.)

Sunday October 31 18:30
Projection Session 5: Exercises in Style
- Fisheye (Gabriel Enrique Vargas Vázquez, 2007. Colombia, 15'24 " b / n, audio, video.)
- Elegba (Guillermo Zabaleta, 2008. Uruguay, 3 ', b / w, sound, 16mm.)
- Self-portrait (Ricardo Nicolayevsky, 1982-1985. Mexico, 6'30 "color and b / n, super 8 and 16mm.)
- 0778 (Marcellvs L., 2004. Brazil 9'27 ", color, sound, video.)
- Land of Shadow (Alberto Borea, 2002. Peru, 12'42, b / w, silent, video.)
- Passacaglia and Fugue (Laura Abel and Jorge Honik, 1976. Argentina, 16 ', color, sound, Super 8.)
- Bleeding Heart (Ximena Cuevas, 1993. Mexico, 3', color, sound (dialogue), video.)
- sensationelle Farce! (Laida Lertxundi, 2004. Spain, USA, 3'10 ", b / w, sound, 16 mm.)
- Cook (Daniela Cugliandolo. 1999. Argentina, 3 ', b / w, sound, Super 8.)
- FIRT 119 (Raymond Beluga Studio, 2002. Argentina, 10 '24 ", b / w, sound, 16 mm and Super 8.) Projection
20:00 Session 6: Medium and massage
- Dogs Gallery (Diego Lama, 2005. Peru, 2'30 ", color, sound, video.)
- Travelling (Lluis Rivera, 1972. Spain 10'25 ", b / w, sound, 16 mm.)
- Frank Stein (Iván Zulueta, 1972. Spain, 3 ', b / w, silent, 16mm.)
- The wonders of the wild / ants (Lourdes Villagomez, 2000. Mexico, 4'38 ", color, sound, video.)
- Limits (1 st person) (Elijah Siminiani León, 2009. Spain, 7'45", color, sound, video.)
- Super 8 (David Domingo, 1999. Spain 7’25”, color, sonora, súper 8.)
- Chapucerías (Enrique Colina, 1987. Cuba, 11’, color y b/n, sonora, 35 mm.)
- Alice in Hollywoodland (Jesús Pérez-Miranda, 2006. España, 7’, b/n y color, sonora, vídeo.)
- Fear/Miedo (Claudia Aravena, 2008. Chile, 14’, color, sonora, video.)
- Minnesota 1943 (Toni Serra, 1995. España, 7’13”, b/n y color, sonora, vídeo.)
- O som, ou tratado de harmonia (Arthur Omar, 1984. Brasil, 17’, color, sonora, 35mm.)

Equipo:

Comisario CCCB:
Antoni Pinent
Comisarios asesores:
Angélica Cuevas Portilla (Cuba, Mexico and Peru)
Ruben Guzman (Argentina, Uruguay and Paraguay)
Marta Lucia Velez (Bolivia, Brazil, Chile, Colombia, Cuba, Ecuador, Paraguay, Peru and Venezuela)
Coordination:
Lara Navarro (Congress )
Holy Nova (film series)

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IMAGE IN FLAMES - Angela Lopez


Saturday October 23, 1919 h
Ángela López Ruiz, artist, curator and researcher Uruguayan presented research at Off Limits "The picture on fire."
In the early 70's a fire extinguished, almost in its entirety, the collection of SODRE Cinéart films, which was established in 1943 highlighted Latin America 1 for his leadership. Thanks to the emotional political gesture of the poet Fernando Perez who donates his collection of primitive (500 titles) and the support of this foreign film libraries and becomes space is refunded at the National Archives SODRE Image (1985). The first fire destroyed the headquarters of the Festival of Experimental and Documentary Film in the second film memory burned in Uruguay. The military dictatorship and the governments that happen do not act against the spread of tangible documents and creative power that was promoted during the festival was cystic, giving the impression that the Uruguayan film yet unborn.
This project revisits the cinematic history of Uruguay since the early 20 to late 70's, the bonds of this production to other artistic disciplines in modernity and as such "blank pages" affected contemporary thought.
More information:
http://www.offlimits.es/maelstrom/2010/10/la_imagen_en_llamas.html





Square Off Limits 11-under,
28012 Madrid Metro: Antón footbath and Martí

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craft workshop 16 mm film - Auditorio Municipal de San Javier



"Artisan 16mm Film."




More information and registration:
info@imagina.sanjavier.es www.imagina.sanjavier.es or physical approach and 35mm.Visionado 16mm film material of found footage selected by choosing segments of interest to the group creation. Create short loops collective and individual, from the intervention with different objects. Each participant will intervene physically-frame support with knives, paints, bleach, sandpaper, ink pens, markers, needles, and paper tape. Creating abstract images, changing the original story creating their own after the handling of the emulsion. This traditional theater experience using existing material allows us to alter the original narrative structure, change the sound, time, color sequences. Creating a self-frame assembly, original and fun. Management projectors, projection multiscreen loops, sound synchronization, photo capture and post-production user-friendly. With the camera back, it opens a new field of research to combine analog and digital language. Display as a film installation. Laboratory oriented communication students, Vj, visual artists, researchers or anyone interested. Experience three intense days, with a charge time of 8 hours each.

Teacher: Guillermo Zabaleta FAC Montevideo.
www.facmvd.org Location: First floor of the Municipal Auditorium in San Javier.
Dates: From 18 to October 20, 2010.
The idea of \u200b\u200bthese workshops is not only the production of short, but the beginning of different art projects that take the film medium as a means of expression. Creating new exhibition circuits, new cells in laboratories, new spaces for filmsperformance, recognition of experimental cinema and home movie in national festivals, the creation of experimental groups and a cinema ferment of creation.

Exhibition (projections).

Friday, 22 projections were made of the material produced in the workshops "traditional 16mm film and cinema Found. A selection of those made in FAC Montevideo.

Location: Municipal Library of San Javier. 20h.


WWW.IMAGINA.SANJAVIER.E
The announcement raises the realization of an idea or a script in 16 mm film in daylight, camera mount captures 1 / 1 and self-production. Will conduct a short experimental film material 3 "in length. In this second phase will focus on the experience in the filming of each idea or script to be developed, reflecting on every shot, resulting in each plane, creating the desired atmosphere, variable lighting and sound. Each film idea is assisted by the group of participants as a way to maximize the experience on each shoot, each brings his mark thus enriching the living film, each link forged networks creates future experiences. Each attendee will experience the different stages of film craft, it generates a constant handling of each technical supports physical relationship to the original format from the burden of the camera (a string) Spiral development management, liquid handling, digital projectors craft and use of projection. Are given the tools to achieve them, meter, cold (50's original support, operational benefits), black and white negative emulsion, digital scale and easy to use digital zoom.


This experience is geared to students of communication, visual artists, researchers or anyone interested. The duration is four days with a charge time of 8 hours per day and one day for the assembly of the film installation.
Teacher: Guillermo Zabaleta FAC Montevideo.
www.facmvd.org Location: First floor of the Municipal Auditorium in San Javier.
Dates: 11th to October 17th, 2010.