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* Workshop Claudio Caldini

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Andrés di Tella
29, 30 and May 31, 2010 Saturday and Sunday
10 to 16 hours
Monday from 9 am to 12 pm
Cost $ 1,800 (1800 Uruguayan pesos)
Discount for students of the ECU and Science Education UDELAR.

"Your movie is not quite done. Gradually makes it look. Images and sounds in waiting and booking. "Robert Bresson

This workshop presents 3 days of direct experiments on different film media: Super 8, 16 and 35 mm. We will work on found footage for a film performance planning, use of different projectors to synchronize and edit live.
"Expanding the space of the film, bearing the image beyond its limits space"
Gene Youngblood.
new configurations to be redefine the structure and duration of performance films and propose ways of activating the viewer's receptivity. Claudio
Caldini is a reference to experimental film, a pioneer in Argentina with Narcisa Hirsch and Marie Louise Alemann. In the words of Claudio
Caldini: "Taking the machinery at the center of the scene, the director-operator has real time work in the areas of editor, sound engineer, musician or actor, or interact with artists from other disciplines.
... All experimental film flows are recreated in a field of action that enhances the spontaneous stage in the interaction of bodies, voices and visual art. "Claudio Caldini


Buenos Aires, 1952.
Experimental filmmaker and video studies at the Experimental Film Center of the National Film Institute, 1971. Seminars with Alberto Fischerman (1977), Werner Nekes (1980) and Diego Lascano (1993) at the Goethe Institute Buenos Aires, with Michel Chion (1996) at the Alliance Française Buenos Aires. audioperceptiva Contemporary Dance and with Rolf Gelewsky (1978) in Salvador de Bahia, Brazil. synthesizers Programming Jorge Haro (1989-90). He has participated since 1970 in numerous national and international festivals of experimental cinema and video. His film "Becoming of the stones "was on 1 Award 1, Experimental Film Week of Madrid, (1991). The video "Heliography" received the Grand Prize of the Franco-Latin Shows Video Art (1994). He was part of the jury of the Film and Video Festival of Architecture FADU 94 (Faculty of Architecture and Urbanism, Race Image and Sound), BA VIDEO 95 (Fair Art galleries BA) and the Festival of Video and Digital Art (ICI Instituto de Cooperación Iberoamericana) between 1995 and 2001. Coordinator of the film at the Museum of Modern Art in Buenos Aires. In 1998 he was fellow of Fundación Antorchas. Jury Oberhausen Short Film Festival in 2003.
+ info:
http://fotografiasdeandresditella.blogspot.com/2010/03/formatos-obsoletos-2.htm Http://eldevenirdelaspiedras.blogspot.com/2010/03/taller-del-vienes.html

http://www.livecinema.com.br/index.php?option=com_content&view=article&id=113&catid=37&Itemid=75&lang = en

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PERMANENT TRAINING PROGRAM

THE ART OF THE REAL Seminar Veronica Cordeiro


Saturdays from 29 May from 10:00 to 13:00

total cost of the seminar: $ 1,000 (Uruguayan pesos)

Since the 90's emerged in the visual arts interest increasingly committed to social, political and economic reality.
cultural critic Hal Foster envisioned this trend in his famous essay "The artist as ethnographer" comprehensive text that will form the basis of these seminars.

3
This course includes seminars, in which Foster will study the text in depth, and display and analyze visual and film works of artists exploring aspects of reality, current or historical, from of conceptual and formal perspectives. Examples include artists like Gillian Wearing (England, 1963), investigating the relationship between individual subjectivity and social platform, Jeremy Deller (England, 1966), author of the famous work "The Battle of Orgreave" (2001), recreation of the battle that occurred during the British miners' strike in 1984, Sophie Calle (France, 1953) that uses devices detective, a forensic psychologist or aesthetic development of their encounter with the other, Douglas Gordon (Scotland , 1966) is best known for 24 Hour Psycho, a work which expands to a period of 24 hours the movie Psycho by Alfred Hitchcock and more recently by Zidane, feature-length films in which only the French soccer player during a game League Real Madrid against Villarreal CF in 2005, Cao Guimarães (Brazil, 1965) accompanies isolated hermits and other creatures of the urban centers creating portraits on film which blends his own involvement with the subject filmed and all the surrounding environment.
The fourth section is devoted to analytical clinical study where existing projects and other development initiatives, and discuss conclusions of the seminars at the global and local context Montevideo / Uruguay and elsewhere.


Veronica Cordeiro (São Paulo, 1974. Graduated in History of Art and Cinema (Edinburgh University, 1997), Master in Visual Anthropology (Goldsmiths, University of London, 2007) and Research Fellow at the Centre for Visual Anthropology at Goldsmiths College from 2008.)

How To Make Heart Gold Work On Desmume

Processing / free tools for creation. Enrique Aguerre


Processing
[free tools for creating]
Enrique Aguerre

Agenda: Saturday


May 8 - What is Free Software?
- History and manifest
- GNU / Linux
- Open Source

Saturday, May 15
- Applications aimed at creating images, animation and interaction

Saturday, May 22
- Programming for non-programmers
Pure

Processing Data OpenFrameworks
- Introduction to Python


This course aims to develop by attending a
algorithmic thinking that to suggest the art from elsewhere. An introduction to free software, its history and philosophical principles
that forever changed not only the computer but how to create and share knowledge
.

applications developed to be studied drawing, 3D modeling, sound, animation and video editing
free and under GPL (General Public License).

And finally, there will be an introduction to visual programming environments largest communities (Processing, OpenFrameworks and Pure Data)
well as the Python language.