Daughters 25th Birthday Sayings

CONTINUING EDUCATION PROGRAM * Gachi Hasper

Participants must submit an abstract of 10 to 20 images / 5 texts those who write or 5 minutes of video, before September 28, 2010.
-day of the workshop are 1.2 and 3 October.
-limited spaces
-cost $ 1,000 (Uruguayan pesos)

The experience consists of a private dialogue with the artist in front of his work (one hour).
This year's presentation of the work deepens with questions and comments that appear in the work and the discourse that is about it. Participants must be active artists whatever their medium: video, painting, photo, drawing, installation, etc. We review the period of the last three years or so and ideally takes place in space work of each participant.

Graciela Hasper (Buenos Aires, 1966)
presents solo exhibitions since 1989 in National Endowment for the Arts, Buenos Aires (2002), Galeria Ruth Benzacar, Buenos Aires (2010, 2006, 2004, 1999), Annina Nosei Gallery, NYC (2003, 2000, 1998); Chinati Foundation, Texas (2002) among others, and collective Cultural UP: From Confrontation to Intimacy: 1960/2007. Americas Society, NYC (2007), Lo (s) Kinetic (s), Reina Sofia Museum, Instituto Tomie Othake, San Pablo (2007), among others. Some distinctions are the Antorchas Foundation grant for G. Workshop Kuitca (1990-93), 1997 Art OMI / International Artists Residency Program, NY, Fulbright-FNA for a residency at Apex Art, NYC (2000-01). Residency Program 2002 Chinati Foundation, Marfa, Texas. . In 2005 he participated in the Bellagio Center Residency Program / Rockefeller Foundation in Italy. In 2007, the editorial Adriana Hidalgo published a monograph on his work. In 2006 co-founded the International Artists Residency in Argentina, www.proyectoriaa.org and in 2009 co-founded the Research Center Artistic www.ciacentro.org

Is It Ok Toi Take A Bath When You Have Chikenpox?

STUDY VISITS TRAINING PROGRAM PERMANENT FAC * Jacqueline Lacasa * "Bad Education"


Bad Education "She defines herself
as a mixture of desert, chance and cafeteria
Pedro Almodovar's "Bad Education."

Throughout the twentieth century, Uruguay imaginary has constructed multiple devices on education and development in the artistic. In the light of different approaches have generated models that respond to intellectual and political landscape potentially large creative practices and the roles played by actors and spectators of the art field. Cultural process become contested areas in the formality of knowledge transfer, in fact go to the fragmentation of production circuits and in turn operate as if they were centers outside the field. This seminar aims to operate in the construction of tools for edging and discuss the conflict areas of what is called "education art. The seminar presents the evolution of a mapping of critical thinking in the context of cultural processes in our context. The nature of Bad Education as part of the new paradigms, forms the space to try and create tools that enable change and the realization of meanings and subjectivities in the process of acquiring knowledge in the art. It is the appropriation of concepts to destabilize the territory given as absolute knowledge and broaden the understanding of the processes of dialogue, experimentation and realization of art projects contempráneo .. Ms. Jacqueline Lacasa









Project / Silent
Procedure Performance / Jacqueline Lacasa
Metropolitan Museum in New York April 2010



The seminar provides tools to understand contemporary art and thought. The idea is that through the seminar will generate critical thinking strategies and the positioning of agents in the field compared to current production practices. The seminar is based on authors such as Roland Barthes, Walter Benjamin, Hal Foster. 11.18 and 25
September 10 to 13 hours

Total cost of the seminar: $ 1,000 (Uruguayan pesos)
6417 Registration for the 2916 (Montevideo)

Why Does Kidney Cyst Break

The book THE MOMENT OF MEMORY Villaplana Virginia is presented in Montevideo


Virginia Villaplana presents book on Franco's repression on Friday August 13, 1919 pm in the Library Engelman, Rondeau 1430
The moment of memory: a documentary novel based on the history of the Franco regime, to through the eyes of visual artist, writer and researcher Virginia Villaplana.

Villaplana Virginia, was born in Paris in 1972, lives in Spain where he teaches at the School of Communication at the University of Valencia. He has made countless contributions on social and historical research and art synthesized in the mid-biography.
has come to Uruguay, invited by the Foundation for Contemporary Art (FAC) to present the book "The Moment of Remembrance", a documentary novel based on two sites of pain and endurance. On the one hand, the graves of Franco's repression in the Cemetery of Valencia and the other the territory of the resistance machinery that shaped the experience of the guerrilla group's Levante y Aragón (AGLA), two key sites for understanding the repression during the Franco dictatorship. Friday, August 13 at 19 pm. Engelman Ost Collection, Rondeau 1430
also participate in Working Documents: a workshop that explores, through art practice, the generation of documentary strategies social crisis intervention.

working lines passing Working Documents extend to gender politics and identity, translation and mediation, to question the cultural historical references to the receipt of the documentary image through relational projection devices to performance as a symbolic geography and agencies with a clear vocation to construct public collaborative community.
Working documents: Saturday 14, 21 and 28 August at the headquarters of the Foundation for Contemporary Art
For interviews and registration: Juan Carlos Gomez 1544 fac / p 2, 3 and 4 /
Tel: 9166417 fac@internet.com.uy